City of Angels Framed Print A3 Edition of 50

£100.00

Circa ’87

Friday Nights, Bedford Avenue, London WC1.

With Saturday night’s conquered (RAW), Oliver Peyton unleashed ‘City of Angels’ at the same venue on a Friday night with a soundtrack on the cusp of acid house.

Originally: Two colour artwork, black with red spot colour on yellow a5 paper; rubdown letraset lettering; hand-drawn logo

Giclee print on Hahnemuhle Photo Rag Paper.

Edition of 50.

Please note, all prints are produced digitally using high-resolution scans from original flyers. These however, were produced using pre-digital processes. Whilst care has been taken to ‘clean up’ various imperfections, the original quality has been retains thus lettering/text is not always ‘pin-sharp’.

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Circa ’87

Friday Nights, Bedford Avenue, London WC1.

With Saturday night’s conquered (RAW), Oliver Peyton unleashed ‘City of Angels’ at the same venue on a Friday night with a soundtrack on the cusp of acid house.

Originally: Two colour artwork, black with red spot colour on yellow a5 paper; rubdown letraset lettering; hand-drawn logo

Giclee print on Hahnemuhle Photo Rag Paper.

Edition of 50.

Please note, all prints are produced digitally using high-resolution scans from original flyers. These however, were produced using pre-digital processes. Whilst care has been taken to ‘clean up’ various imperfections, the original quality has been retains thus lettering/text is not always ‘pin-sharp’.

Circa ’87

Friday Nights, Bedford Avenue, London WC1.

With Saturday night’s conquered (RAW), Oliver Peyton unleashed ‘City of Angels’ at the same venue on a Friday night with a soundtrack on the cusp of acid house.

Originally: Two colour artwork, black with red spot colour on yellow a5 paper; rubdown letraset lettering; hand-drawn logo

Giclee print on Hahnemuhle Photo Rag Paper.

Edition of 50.

Please note, all prints are produced digitally using high-resolution scans from original flyers. These however, were produced using pre-digital processes. Whilst care has been taken to ‘clean up’ various imperfections, the original quality has been retains thus lettering/text is not always ‘pin-sharp’.